Albert Steptoe and his son Harold are junk dealers, complete with horse and cart to tour the neighbourhood. They also live amicably together at the junk yard. But Harold, who likes the bright lights in the West End of London, meets a stripper, marries her and takes her home. Albert, of course, is furious and tries every trick he knows to drive the new bride from his household.
Albert Steptoe and his son Harold are junk dealers, complete with horse and cart to tour the neighbourhood. They also live amicably together at the junk yard. Always on the lookout for ways to improve his lot, Harold invests his father's life savings in a greyhound who is almost blind and can't see the hare. When the dog loses a race and Harold has to pay off the debt, he comes up with another bright idea. Collect his father's life insurance. To do this his father must pretend to be dead.
Steptoe and Son is a British sitcom written by Ray Galton and Alan Simpson about a father and son played by Wilfred Brambell and Harry H. Corbett who deal in selling used items. They live on Oil Drum Lane, a fictional street in Shepherd's Bush, London. Four series were broadcast by the BBC from 1962 to 1965, followed by a second run from 1970 to 1974. Its theme tune, "Old Ned", was composed by Ron Grainer. The series was voted 15th in a 2004 BBC poll to find Britain's Best Sitcom. It was remade in the US as Sanford and Son, in Sweden as Albert & Herbert and in the Netherlands as Stiefbeen en zoon. In 1972 a movie adaptation of the series, Steptoe and Son, was released in cinemas, with a second Steptoe and Son Ride Again in 1973. The series focussed on the inter-generational conflict of father and son. Albert Steptoe, a "dirty old man", is an old rag and bone man, set in his grimy and grasping ways. By contrast his 37-year-old son Harold is filled with social aspirations, not to say pretensions. The show contained elements of drama and tragedy, as Harold was continually prevented from achieving his ambitions. To this end the show was unusual at the time for casting actors rather than comedians in its lead roles, although both actors were drawn into more comedic roles as a consequence.